Islamic finance abides by the Sharia law. It demands socially responsible investment, with a real impact on the community.

Our computers, even the fastest ones, seem today unable to withstand the needs of the enormous quantity of data we have to deal with in our technological society.

Creating a piece of art inspired by a scientific discovery. That is a challenge embraced by Ruth Jarman and Joe Gerhardt, a UK artist duo called Semiconductor , who spent a period of time in Finland to collaborate with the Turku Quantum Technology group led by Professor Sabrina Maniscalco.

The quantum world is something that many talk about but no-one sees. There must be something special if it exerts its fascination well beyond the circles of what many imagine as a mainly male community of rather eccentric scientists, to the point of attracting the attention of provocative artists and spiritual leaders.

The artistic partnership of Evelina Domnitch and Dmitry Gelfand started in 1996 in New York when they were in their early twenties. They were both born in the Soviet Union, Belarus and Russia respectively, and their paths crossed in the US city.

Would you dive into a body of water populated by about 150 robots? That’s what could happen if you were to fall off a “gondola” in the Venice lagoon, where scientists from an initiative of seven European research institutes, are giving birth to the world’s largest population of autonomous robots .

The coming tech disruptions and revolutions have at times been predicted to fix all manner of societal and environmental ills, so at first glance Susan Etlinger’s warning to exercise caution and restraint can seem odd.

Can mathematics be expressed poetically through computational technologies? Visual artists Vicky Isley and Paul Smith believe it can be and are collaborating with the Artificial Life Lab of the University of Graz, in Austria, on the Subcultron project (Submarine Cultures Perform Long-Term Exploration of Unconventional Environmental Niches).

Investors look for a number of things before betting on a company or product in the bioeconomy sector: prestigious and experienced team, economic sustainability, competitive advantage, and potential users.

For innovation managers and startup advisors it is clear: scientists and researchers are not business people . "Much is dependent on the personality of the founder. A pure scientist will not be able to proceed.

When you see a beautiful shirt on a fashion model or in a shop window, you ask yourself: shall I buy it? Can I afford it? But before deciding, there is another question to be answered : How much damage ...

How do you express the bliss felt in a concert? Why is the execution of a piece of music better than another? Is an ensemble of musicians engaging an audience? Antonio Camurri , professor of human ...

Sharing emotions is a central part of human communication. Moreover, the internet is becoming an important medium to share them. And this has given rise to collective emotions in online groups.

Laughter research is no laughing matter at the Numediart Institute of the University of Mons , in Belgium. Members of this research institute are involved in an EU-funded project, called ILHAIRE , due to be completed in 2014.

Imagine that data could be transposed into a tactile experience. This is precisely what the CEEDs project, funded by the EU, promises. It uses integrated technologies to support human experience, when attempting to make sense of very large datasets.

A technology relying on holography, that involves measuring mechanical deformations, as signature of artworks has previously been developed to address the protection of cultural heritage.

The German village of Cappel is home to one of the greatest historical music instruments. The ornate baroque organ here is the work of Arp Schnitger, the grand master of German organ construction who built it in around 1680 for Hamburg.

The village of Olympos , located near the ancient city of Rhodiapolis, in the Antalya region of Turkey, escaped a wild fire, on 2 September 2012.

Bill Wei is a senior conservation scientist at the Netherlands Institute for Cultural Heritage, in Amsterdam.

Imagine that a hundred years ago it was possible to take the ‘digital fingerprint’ of Leonardo Da Vinci’s Mona Lisa and store it in an international database.