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The cultural heritage challenges a sustainable future
Buildings and the construction sector are responsible for over one-third of global final energy consumption and nearly 40% of total direct and indirect CO 2 emissions .
Bacterial BioArt
Around 700,000 people are killed by antibiotic resistant infections in the world every year, estimates say. Antimicrobials are increasingly overused and misused, while some organisms are becoming more resistant to antibiotics.
When sound drives a piece of art
Creating a piece of art inspired by a scientific discovery. That is a challenge embraced by Ruth Jarman and Joe Gerhardt, a UK artist duo called Semiconductor , who spent a period of time in Finland to collaborate with the Turku Quantum Technology group led by Professor Sabrina Maniscalco.
Robots in distress in the Venetian Lagoon
Can mathematics be expressed poetically through computational technologies? Visual artists Vicky Isley and Paul Smith believe it can be and are collaborating with the Artificial Life Lab of the University of Graz, in Austria, on the Subcultron project (Submarine Cultures Perform Long-Term Exploration of Unconventional Environmental Niches).
Touch, feel, see and hear the data
Imagine that data could be transposed into a tactile experience. This is precisely what the CEEDs project, funded by the EU, promises. It uses integrated technologies to support human experience, when attempting to make sense of very large datasets.
Ensuring cultural heritage protection
A technology relying on holography, that involves measuring mechanical deformations, as signature of artworks has previously been developed to address the protection of cultural heritage.
Ornate organs
The German village of Cappel is home to one of the greatest historical music instruments. The ornate baroque organ here is the work of Arp Schnitger, the grand master of German organ construction who built it in around 1680 for Hamburg.
Art gets its digital passport
Imagine that a hundred years ago it was possible to take the ‘digital fingerprint’ of Leonardo Da Vinci’s Mona Lisa and store it in an international database.
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